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I am not sure why this isn't asked here already, but Peter Farey and Ros Barber convinced me that Christopher Marlowe wrote the works of Shakespeare.

This resolved my own cognitive dissonance from many years ago, when I picked up a copy of Tambourlaine, and immediately was annoyed that it was stylistically indistinguishable from Shakespeare (except for some minor maturity issues). At the time, I concluded that Shakespeare was just ripping off Marlowe, but it was a rip-off too methodical and too shameless to be consistent with literary genius, so I wasn't sure what to think of the bard. Of course, it's not a problem given that they're the same person.

This requires you to believe that Marlowe was not killed in 1593, but kept on writing, exiled in continental Europe. I believe that this is perfectly reasonable, considering the privy-council's death threat to Marlowe, his known connections, and the similar shenanigans in the McCarthy era. My question is not about this stuff, which I think is firmly on the Marlovian's side.

My question is simply about the stylometric evidence. Farey has compiled his own page on the stylometries (you can find two plots here: and there are more here ), his analysis concludes that any stylometry that claims to distinguish between Shakespeare and Marlowe's style is better interpreted as a maturity curve for a single writer in two periods of life.

I want to know how reasonable this conclusion is. I haven't checked the figures, and I do not know if there are other stylometries which are missed by his analysis. Further, is there any known way of establishing single-authorship from large batches of text, when the text is written several years apart, but is essentially infinite in length?

How good is this new stylometric evidence? What confidence level does it give to the assertion that Marlowe was the author?

There are previous stylometries which are weaker, namely Mendenhall's letter distribution, which was a major foreshadowing of modern Marlovian theory. I am not so interested in this, since this is well known to pick out Marlowe as the author of Shakespeare.

marked as duplicate by Lennart Regebro, Larian LeQuella Dec 11 '14 at 2:46

This question has been asked before and already has an answer. If those answers do not fully address your question, please ask a new question.

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    I think this question would benefit from being expressed in a more compact and general/objective way. Also should the title not be the other way around: "Was Marlowe Shakespeare?" – Martin Scharrer Mar 27 '12 at 9:42
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    I agree with @MartinScharrer. This question would be a better fit here if it were allowed to show any evidence one way or the other. This may be more on topic (the stylometry question) on Writers SE. – Chad Mar 27 '12 at 12:35
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    The Skeptical Inquirer featured this question once: Did Shakespeare Write ‘Shakespeare’? Much Ado About Nothing – Martin Scharrer Mar 27 '12 at 15:41
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    Unless the stylometry provides new evidence I'd link to this question (started here, moved to literature.se): literature.stackexchange.com/questions/956/… . I provided a pro-Shakespeare answer. – matt_black Mar 27 '12 at 20:07
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    @Oddthinking: This is true--- but in this case, there is no danger--- the evidence from usual stylometry is already overwhelming. The latest paper claiming to disprove Marlovian authorship stylometrically, had their computer program misidentify all of Marlowe's drama except Tambouraine as Shakespeare. The criterion is that you should find a stylometry which distinguishes other authors reliably, and then when this stylometry tells you that Shakespeare and Marlowe are the same guy, just take the results at face value, since this is supported by the weight of the historical evidence. – Ron Maimon Aug 10 '12 at 2:54

Not a complete or final answer to your question, but a recent (2012) and seemingly rigorous statistical analysis of works by Shakespeare, Marlowe, and other contemporaries, in order to distinguish authorship, is here:

Their key conclusion:

...our results are best explained by the assumption that Marlowe is not Shakespeare.


The statistical comparisons were based on 1) general vocabulary and 2) a combination of "function word frequency, frequency of part of speech tags among words that are not on the function word list, and bigram...called 'two-word collocations'..."

The comparison tests "misidentified" four out of seven of Marlowe's works as Early or Late Shakespeare's; however, the "Unsupervised Clustering Experiment" clearly separated Marlowe's works from Shakespeare's.

It is noted that "Marlowe is hard to pin down because of the small corpus that exists for him". Would internal variability in the Marlowe works (written prior to all the Shakespeare works) versus more internal consistency in the Shakespeare works have produced this outcome? A skeptic would like to see more data from the "Unsupervised Clustering Experiment" and a better explanation for how it discriminates among authors.

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    Welcome to Skeptics! So, what did they find? Please include a summary (and perhaps an excerpt) to protect us against link-rot. – Oddthinking Jul 21 '12 at 23:13
  • @MarloweFan I've added a very short quote from the paper to illustrate how to make better answers here. If you included more selections and summaries from the paper I think you would attract a lot of up votes. It is a great reference. – matt_black Jul 21 '12 at 23:54
  • Please fix your answer--- I must downvote for now, because as it stands, it repeats the bogus conclusion without giving the true content of the paper, which is extremely supportive of the idea that Marlow wrote Shakespeare, despite their best efforts to separate the two. I am sure you did not intend to do this, but repeating their dishonesty is not a good thing. – Ron Maimon Aug 10 '12 at 1:43
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    I should also add a comment regarding "unsupervised clustering". This is basically taking 6 works by two authors, and seeing how well the division of works into two groups works according to the canonical authorship. The method is ridiculous--- it is not at all rigorous--- the result is a ranking integer with no estimator of reliability possible. You don't know how close the clusters are to each other from this data, or anything whatsoever. They obviously tacked this on to justify their conclusion, because the other methods weren't working. – Ron Maimon Aug 10 '12 at 3:05
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    The paper doesn't seem to be reliable. It at best shows inconclusive evidence based on a small corpus for Marlowe. – Nick Aug 10 '12 at 9:22

I disagree that The Skeptical Inquirer is not a credible source. It is a peer-reviewed publication and I have found that it is quite rigorous in its examinations of issues. The article cited here concludes:

To sum up, there really was a Shakespeare, and to believe that someone else wrote the plays and poems bearing his name—that there was in fact a conspiracy to perpetrate an elaborate hoax—is to gratuitously violate the principle of Occam’s razor, the dictum that the hypothesis with the fewest assumptions is to be preferred.

The article is worth reading, and, I believe, represents the issue, and its answer, quite credibly.

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    Do you have a link to the original article? If so, please include it; otherwise, please cite the exact source. I do agree that the Skeptical Inquirer is probably appropriate as a source here. However, I’m less sure about calling it “peer-reviewed”, in the rigorous sense of the word. – Konrad Rudolph Jul 23 '12 at 16:15
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    Citing Occam's razor in an instance where there is confounding data (stylometry and evidence of a dearth of literacy and education of Shakespeare) is a cop-out and an invalid application of the razor. – called2voyage Jan 8 '14 at 17:09

The problem with stylometric analysis is that you can make it show just about whatever you want to make it show if you pick and choose the works to be compared.

In comparing Marlowe and Shakespeare, there's no point in comparing "Edward II" to "The Tempest." They were written two decades apart. One would want to compare "Edward II" to "Richard III." And the bulk of the stylometric evidence shows that it is virtually impossible to distinguish early Shakesperean plays from Marlowe.

Furthermore, when any such comparison is done, "The Massacre at Paris" should be excluded from Marlowe's works, as it is known to exist in two versions, neither of which is thought to reflect the original version of the play. Many of the extant plays of Shakespeare also exist only in so-called "bad quartos."

The stylometric evidence doesn't prove that Marlowe wrote Shakespeare, but it doesn't exclude the possibility.

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    Please reference your facts. It's one of the rules of skeptics, for more info read the help center – Wertilq Jun 27 '13 at 18:17
  • This is not exactly true--- you can get conflicting answers only if the two bodies are compatible. Most stylometries easily distinguish Shakespeare from DeVere, Johnson, Lyly, or any other contemporary writer with a corpus. This means that when you compare Edward II and Richard III and find no difference, it is very statistically significant, it suggests strongly that they are the same writer. It is made more striking by the fact that different independent stylometries agree. So you can't say "you can get any answer" with a straight face. You can't. You only can if they're the same guy. – Ron Maimon Jun 29 '13 at 22:54

From @MarloweFan's answer, I find that the most recent attempt to separate Marlowe and Shakespeare stylometrically is presented here:

The authors failed to separate Marlowe from Early Shakespeare, and yet wrote a conclusion that claimed that they did so. This is dishonest, as I see it.

Known Marlowe Detected As Shakespeare

Their computer program, designed to separate these authors, found the following probable authors for these plays:

  • Dido: Early Shakespeare (both methods)
  • Faustus: Early Shakespeare (both methods)
  • Edward II: Early Shakespeare (both methods)
  • Jew of Malta: Late Shakespeare/Early Shakespeare (depending on which method they used)

So that the only works of Marlowe which were not confused as Shakespeare were Tambourlain I and II, and the Massacre at Paris.

The methodology was "leave one and compare to the rest", so by separating the Tambourlaines, they leave out Tambourlaine I and compare to a corpus that includes Tambourlaine II. This is an unsafe comparison--- it is manifest that the closest match to Tambourlaine I is Tambourlaine II. If they had combined the two Tambourlaines into one text, there is no doubt in my mind it would have been misclassified as Early Shakespeare as well. So among the Marlowe works, only The Massacre at Paris is not misidentified!

This means their program failed to separate nearly all of what Marlowe work from Shakespeare, consistently across two completely different methods, and despite their obvious bias against the Marlovian hypothesis.

One of their methods is based on vocabulary, how similar the word choice is in the works. It is notable that the vocabulary of Jew of Malta matches Late Shakespeare, because nobody else matches Late Shakespeare in any way. The other method is based on function words, which are indicative of sentence structure. Both methods agreed in their misclassification of the majority of Marlowe works as belonging to Shakespeare (the two exceptions being Tambourlaine and Massacre). This is a ridiculous failure in a paper that claims to have something negative to say about Marlovian theory, considering the low failure rate with other authors (there were only a couple of other plays by other authors misclassified in this way - please read the paper).

Known Shakespeare Detected As Marlowe

Further, one of Shakespeare's known works, I Henry VI, was misclassified as Marlow in one of the methods, and classified as Shakespeare in the other. This is also notable, because the statistical biases they list explain why it is very unlikely for a work not by Marlowe to be classified as Marlowe by vocabulary (there are fewer words in Marlowe, so you find fewer matches to rare words). The biases in their method, that they explain, make it extremely significant when even a single work is misclassified as Marlowe - it means that the vocabulary in I Henry VI is essentially a dead match to that of the few Marlowe works that exist.

Other Authors: Disputed Works not ascribed to them

There were two plays not by Shakespeare/Marlowe that were not correctly identified as by their canonical authors:

  • The Family of Love (Middleton), program attributed to (Johnson/Shakespeare) by (vocabulary/function-words)
  • The Case is Altered (Jonson), program attributed to (Shakespeare/Chapman) by (vocabulary/function-words).

For "The Case is Altered", Jonson did not include it in his Folio, and it is of dubious authorship. To my mind, their program conclusively establishes it was not authored by Jonson, not exclusively, and not predominantly. Since their program finds a best-match within the list, one cannot say that Shakespeare or Chapman contributed to "The Case is Altered", only that it is not by Jonson.

"The Family of Love" also is of disputed authorship, it is only attributed to Middleton by academic convention. Their program's failure should conclusively demonstrate that the canonical attribution is wrong. Their program therefore did not have a single failure other than in the case of Marlowe/Shakespeare, where the failure would have (if they hadn't stupidly separated the Tambourlaines) have misidentified all but one of Marlowe's work as Shakespeare by two different methods, and misidentified I Henry VI as by Marlowe.

Estimating chance of authorship

Given that their program is dead on accurate for every single play they examined, only failing to discriminate between Shakespeare and Marlowe, one can estimate the probability that they are different authors. Vocabulary and function words are independent, so each mismatch, assuming separate authorship is at most 10% probable, otherwise the perfect match in the other play identifications is not reasonable. There are 5 mismatched plays, so a probability of $10^{-5}$ of different authorship under these generous assumptions (it is probably closer to 1 in $10^10$), so the chance is more like 1 in 100,000.


The only other hypothesis that is reasonable is that Shakespeare modified existing unfinished texts of unpublished Marlowe's plays into his early works. This is unlikely, considering that there is no sharp break in style between Shakespeare and Shakespeare. If one attributes the Shakespeare canon to one author, which I am sure is correct, one must attribute it to Marlowe, with at least 4 sigma confidence level, probably much more.

Their Dubious Conclusion

The content of their computer experiments are an unacceptable counterpoint to their conclusion. Their methods classified nearly all of Marlowe dramatical works, other but the Tambourlaines, as Shakespeare, consistently in both methods, and over two different trials.

From this failure, I feel confident to conclude, unlike these authors, that there is no stylometric difference between Shakespeare and Marlowe, and it is nearly certain in the scientific sense that Marlowe and Shakespeare are the same person.

I am not sure this exhausts the question, considering that these authors are not so reliable, having published a paper with contents and conclusion diametrically opposed. A further more neutral study, even just a replication of their methods with a more quantitative Bayesian estimate of identity, would be useful.

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    You make a few very strong, and perhaps defaming, claims about the authors which you haven't supported: dishonest? fraudulent? cowardly? These are ad hominem attacks unsupported by evidence and should be removed. – Oddthinking Aug 10 '12 at 2:57
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    Dishonest and fraudulent imply that the authors are aware that they are wrong. You have argued that they are wrong. You haven't shown they know about it. – Oddthinking Aug 10 '12 at 3:18
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    Ron, if you see any places on Skeptics.SE where tobacco scientists are called fraudulent, rather than just wrong, please flag those questions too - unless (unlike this question) there is some evidence about their motives. @Nick: I am not arguing that Ron is wrong and the paper is right. I am pointing out that ad hominem attacks have no place here. – Oddthinking Aug 10 '12 at 11:10
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    @RonMaimon the original research policy is a policy of this site for a reason. We are not experts in stylometry and we are not qualified to judge original research in the field. – Sklivvz Aug 29 '12 at 23:31
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    @RonMaimon I respect your opinion, and I disagree. I think there's space in the Internet for sites like ours, working exactly like ours. That doesn't prevent you (or any other researcher) from publishing on a blog or a peer-reviewed magazine. – Sklivvz Aug 30 '12 at 6:40

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